Back story...

I’m often asked “Why did you develop Piano Portals – what's the back story?”

The Short Story

Aged 11, Piano Portals Founder, Stephen Marquiss, was labelled an exemplary piano student. Gaining a Music Specialist scholarship to Wells Cathedral School in 1990, Stephen promptly attained the highest ABRSM exam mark in the country and reached both the final of the Ettlingen International Competition for Young Pianists and the televised stage of BBC Young Musicians.

He later withdrew from the latter owing to chronic Repetitive Strain Injury. Stephen became the first student in living memory to sit a Theoretical A Level Music paper in place of a performance owing to his physical and mental decline. With music college and Stephen's performing dream evaporating, Stephen undertook an academic Music degree at Christ's College, Cambridge, where he embarked on a 25-year exploration into holistic piano technique and wellbeing. He studied in New York with Sophia Rosoff, who’d learned from the greatest of all piano pioneers, Abby Whiteside (1881-1956).

Whiteside humbly concluded that her most 'talented' students progressed in spite, not because, of conventional practice priorities, whilst the less talented invariably hit a ceiling. She proposed audacious, commonsense solutions to pianists’ problems. Building on Whiteside’s work, Stephen devised Piano Portals, a comprehensive, joyful online framework for fluent, expressive technique without excess tension. Featured in International Piano Magazine (March 2020), its Primary Portals, Patterns and Pieces comprise a transformational substitute for conventional exercises.

Stephen has performed fluently and expressively for over a decade, which feels like a dream come true. He empowers others to do the same, particularly adult amateur pianists struggling with blocks or frustration. Stephen has led 'game-changing' one-day and weekend adult piano courses at Jackdaws Music Education Trust since 2017. His other passions include photography (@picsbyapianist), swimming and qigong.

The Full Story - in the words of Founder, Stephen Marquiss

In 2012, I gave my first full solo piano recital from memory in 19 years.

In 2013, aged 34, I worked out my first pop cover by ear and posted it online.

In 2015, I birthed my own piano style and recorded an EP for the first time, Joshua's Fire.

The same year, I compiled and recorded the original Piano Portals books and audio (now superseded by the online courses). I launched these at Music Education Expo, London, in 2016. In 2020 and 2023, I was invited to return as a speaker. Piano Portals has evolved into a joyful, holistic online framework for technique.

I'm Stephen Marquiss, creator of Piano Portals. At the time of writing, I feel satisfied with my piano playing, which feels like a dream come true. I play expressively and joyfully. I learn my chosen repertoire efficiently through flowing, fail-safe processes. I perform confidently from memory. I credit Piano Portals with this transformation.

SM-lookingdownIn the '90s I received about as much music education as possible. I won a scholarship to music school before reading Music at Cambridge University.

In my early school days, I won the prize for the highest piano exam mark in the country and reached the final of an international piano competition. My teachers were caring and dedicated. I absorbed their advice like a sponge and did everything they asked of me. My reports read 'an exemplary student'.

How, then, could my playing deteriorate to such an extent that I became their first A Level (Grade 12) Music student in living memory to sit a theoretical paper in place of a performance? I struggled with so-called Repetitive Strain Injury and mental blocks throughout my later school years. I was met with puzzled expressions from specialists, who tried diverse treatments. My self-esteem plummeted. I left school an empty shell - disembodied as an artist and person.

At university, I became chronically jealous of other musicians, particularly jazz players who seemed confident and expressive. They were the opposite of me - and I longed to be like them.

Natural-music-webAfter a while, the nurturing bubble of university invoked the beginnings of a journey. I began scouring libraries and the internet in search of solutions. I read about piano pedagogy, the ergonomics of playing, early years’ learning and peak performance. In my final year, I prioritised this quest over my coursework, to the chagrin of my tutors.

Regarding piano pedagogy, I found multiple variations on similar themes. Approaches that seemed different at first revealed themselves to be underpinned by common fundamentals. It was hard to find anything strikingly outside the box that I felt had let me down. That was until I stumbled upon Abby Whiteside.

At first, I sought to repudiate her audacious claims. Over time, they blew my mind. Whiteside's solutions were daring in the extreme. They challenged the very fundamentals I'd known. I contacted her publishers to find out whether anyone was teaching according to her radical principles.

As a result, I made several trips to New York to study with Sophia Rosoff (1924-2017), co-editor of Whiteside’s writings and former Whiteside student. This was the first step towards Piano Portals. In time, I would further question long-held assumptions and discard more of what I was previously taught.

Me-and-tree-web-largeAfter I graduated, I entered the real world with a jolt. There seemed no easy way to preach a New Way of piano playing. I taught adult clients privately whilst working part-time outside of music. Little did I realise just how far I was from integrating my discoveries into my own playing, teaching and being.

Over the course of a decade, I forged a career in my native Somerset, England, as an accompanist to some of the country's finest musicians, piano teacher at the prestigious musical department at Hazlegrove Preparatory School, founder and conductor of Frome Symphony - a ground-breaking amateur orchestra - soloist and ensemble member. Somehow, a change of approach had empowered me to play regularly again, without fully addressing all of the underlying issues.

I was fortunate to work in a field I loved. But dissatisfaction with my piano playing lurked, along with resentment that, despite my privileged education, I still felt relatively awkward and disconnected when I played. Technical difficulties remained, alongside a mental block about performing from memory. More than anything, a feeling of chronic dissociation underpinned my musical endeavours, even if I was often the only one to notice it.

When I hit 29, I acknowledged that I’d barely scraped the surface of my piano playing issues, which stretched back to school. I recommitted.

JF2-Front-shot-3_000000I passed on much of my public work to others and refocused on the piano, determined to address these challenges once and for all. One day, I hoped to help others like me.

The music for Piano Portals emerged as early as 2008 and remains largely unchanged. But nothing could've prepared me for the personal journey that unfolded, through exploring, refining, recording and finally sharing the work, which took the large part of another decade and a half.

One revelation followed another. I reconnected with my body through deepening self-awareness. I became coordinated and confident. I became not just the musician but the expressive, connected person that I'd longed to become.

Technical difficulties dissolved as I refocused on fresh priorities. I remodelled my entire approach to practice, throwing out much that I'd previously believed important and replacing unhelpful processes with effective new ones. I genuinely enjoy every moment of my practice - not because I can suddenly do everything straight away, but because I trust in gratifying processes that never let me down. 

Piano Portals is transforming the playing and lives of a growing number of open-minded pianists and teachers around the world with the courage to challenge assumptions and experience the power of fresh priorities.

Piano Portals was born of a tireless adult journey. In my early 30s I was still a long way from playing to my potential. But I kept seeking, questioning and learning. I bring the perspective of this personal evolution to the Piano Portals resources. I offer them to you in the form of a joyful, holistic online framework for technique.

Thanks very much for reading. Please do be in touch and share your journey. It's my dream that Piano Portals also helps you achieve yours.

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